I am that merry wanderer of the night. I jest to Oberon and make him smile When I a fat and bean-fed horse beguile, Neighing in likeness of a filly foal: And sometime lurk I in a gossip's bowl, In very likeness of a roasted crab, And when she drinks, against her lips I bob And on her wither'd dewlap pour the ale.
The action of the play was transported from AthensGreeceto a fictional Monte Athena, located in the Tuscan region of Italyalthough all textual mentions of Athens were retained.
Many critics singled out Kevin Kline and Stanley Tucci for particular praise.
But not like this. Everett, like the inspired Kevin Kline as the ham actor Bottom, is utterly at ease with this material in ways that many other cast members are not Though West and especially Ms. Friel approach their roles with gratifying ease, Bale is once again given the cheesecake treatment and little occasion to rise above it.
This production tarts up the play any way it can The film is over the top - and willfully so As might be expected, Kevin Kline steals the show with his hearty gifts for comedy Kline, a Shakespearean veteran, has that flourish, that golden touch.
In his glorious way of overdoing it - turning the very notion of acting into farce - he embodies a supreme comic madness that is audacious yet embracing Michelle Pfeiffer plays it regal, pouty and come-hither as Titania.
Her seduction of Bottom, turned to an ass under the spell of Puck Stanley Tucci with horns and impish grinis riotous Yes, the story has been transplanted to Tuscany in the s, and the cast is packed with big names, but Hoffman rightly treats the text as the real star of the show.
The film soars when actors who remember that Shakespeare was primarily an entertainer carry the ball, but things get pretty turgid when the focus is on those who seem cowed by appearing in an adaptation of a Major Literary Classic. But it was pleasurable all the same Kline and Flockhart do most of the pedaling.
And Flockhart exudes a wonderful vulnerability and sense of comic timing, as she pursues Demetrius, suffering all manner of indignity and incredulity along the way. There is not much chemistry between Pfeiffer and Everett, nor between Pfeiffer and Kline, particularly in their big love scene.
Kline overacts physically and emotionally, Flockhart is entertaining in a broad manner, and Pfeiffer renders a strenuously theatrical performance. Overall, the Brits give more coherent and resonant performances, especially Friel and West as the romantic couple, a restrained Everett as Oberon, and Rees as the theatrical manager.A Midsummer Night's Dream Questions and Answers - Discover the caninariojana.com community of teachers, mentors and students just like you that can answer any question you might have on A Midsummer Night.
No Fear Shakespeare – A Midsummer Night’s Dream (by SparkNotes) Original Text Modern Text Act 1, Scene 1 Enter THESEUS, HIPPOLYTA, and PHILOSTRATE, with others THESEUS and HIPPOLYTA enter with PHILOSTRATE and others. 5. May 14, · This is a wonderful film and an excellent version of the classic that was done so very, very well in and No, this is not the Royal Shakespeare Company, it's Hollywood but /10(K).
No Fear Shakespeare by SparkNotes features the complete edition of A Midsummer Night’s Dream side-by-side with an accessible, plain English translation. A Midsummer Night's Dream is a romantic comedy fantasy film based on the play A Midsummer Night's Dream by William Shakespeare.
It was directed by Michael Hoffman. The ensemble cast features Kevin Kline as Bottom, Michelle Pfeiffer and Rupert Everett as Titania and Oberon. A Midsummer Night's Dream Shakespeare homepage | Midsummer Night's Dream | Entire play ACT I Four nights will quickly dream away the time; And then the moon, like to a silver bow New-bent in heaven, shall behold the night summer's day; a most lovely gentleman-like man: therefore you must needs play Pyramus.